Max Ackermann Original Vintage German Representational Abstract Graphite Drawing with Pastel European Art Painting Sailing

Original, vintage representational abstract pastel painting of a man sailing, by German graphic art abstract artist, Max Ackermann, (1887 –1975).



Max Ackermann was a German painter, and graphic artist of abstract works and representational art.

Born in Berlin on October 5th, 1887; Ackermann started carving wooden figures and modeling ornaments, in his father's studio, at an early age. From 1905 to 1907, he studied under Henry van de Velde at his studio in Weimar, and Gotthardt Kuehl's studio in Dresden, (1908–09). From 1909 to 1910, he furthered his studies in Franz von Stuck's class at the Munich Art Academy. In 1912, aged 25, he attended the State Academy of Fine Arts in Stuttgart, where he worked as an apprentice of Adolf Hölzel, who "introduced Ackermann to non-representational painting and turned out to have a formative influence on his future works", and he began to paint abstractly.

Ackermann joined the Landsturm in the First World War, where he was wounded and discharged following a lengthy period in hospital, after which from 1918 to 1919 he was a member of Der Blaue Reiter, ('the Blue Rider'). In 1921 the artist met the pioneer of abstract dance Rudolf von Laban, "with whom he entered into a vivid discussion about dance notation and counterpoint, inspiring Ackermann to rhythmic blind paintings". Throughout the 1920s he worked as an artist in Stuttgart, where his first one-man show was held in 1924, featuring figurative and abstract paintings, pastels, and drawings at the Württembergische Art Association. In 1926, he spent time in Paris, where he became friends with Piet Mondrian and Adolf Loos. Around this time, Wassily Kandinsky "confirmed and encouraged him in his quest for the absolute painting". In 1928 he shared a collective show at Stuttgart's Schaller Gallery with Kandinsky and George Grosz.

He set up a Lehrwerkstätte für Neue Kunst ('Training workshop for New Art') in his studio and hosted holiday seminars for young art teachers. In 1930 Ackermann introduced a seminar on 'absolute painting' at the Stuttgart Volkshochschule. Based on these seminar topics, in 1933 he gave lectures at a Hölzel exhibition in Stuttgart's Valentien gallery. Ackermann was considered degenerate by the new Nazi authorities, and in 1933 he was forbidden from exhibiting by decree, and in 1936, again by decree, he was forbidden from teaching. He also suffered the official confiscation of graphics and paintings displayed in the Württembergische State Gallery in Stuttgart. After being banned from teaching, Ackermann continued his abstract work at Hornstaad on Lake Constance, which became an artists' colony joined by Otto Dix, Erich Heckel, and Helmuth Macke.

Many of his early works were lost when his studio was destroyed in a Second World War air raid. After the war, a 1946 one-man show in Stuttgart, was followed by other solo shows in West German cities and collective shows at the Salon des Réalités Nouvelles in Paris, and the 1949 Zurich exhibition Kunst in Deutschland, 1930-49. With Wolfgang Fortner, Ackermann held a seminar on music and painting in 1952. A year later, he took part in an event with Hugo Häring and Kurt Leonhart on the subject of painting and architecture. In 1956, as successor to Willi Baumeister, who had died, the Künstlerbund Baden-Württemberg artists' association appointed Ackermann to the Rat der Zehn ('Council of Ten'). The state of Baden-Württemberg awarded Ackermann the honorary title of Professor in 1957, and in 1964 he was honoured by the West German Academy. To mark his 80th birthday in 1967, one-man shows were held at the Mittelrhein Museum in Koblenz and other galleries in Kaiserslautern, Friedrichshafen and Lake Constance. A 1967 retrospective exhibition took his work from 1908 on to Koblenz, Kaiserslautern, Constance, Wolfsburg and Cologne, and the University of Chicago, in 1969.

Twice married: to Gertrude Ostermayer from 1936 to 1957, and to Johanna Strathomeyer in 1974, Ackermann died in Unterlengenhardt, Bad Liebenzell in the Black Forest, in November of 1975, at age 88.



Comparable works by Max Ackermann/Online References: 



http://www.findartinfo.com/english/art-pictures/0/20/0/chalk/page/1040.html



http://www.findartinfo.com/english/art-pictures/3/80/1/Graphite/page/52.html



Max Ackermann
(1887-1975)
German
Representational Abstract, Graphic Artist
Pastel, on Paper
Pastel painting alone measures approximately 14" X 20", plus the frame
Signed lower middle
Estimated to have been created in approximately 1974
The painting is in the vintage modern, dark green frame, and is still gallery sealed, on reverse, with the label of the local California framer, present.
The painting is in very good original condition. There are some small waves in the paper, that were possibly made during creation, as well as a (water?) mark, upper right, that appears to have also been done, in creation. Please review the images.

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