Original Antique Thomas Moran Manner American Luminism Summit of Sierra Madre San Gabriel California Mountain Landscape Watercolor Painting
Original antique watercolor painting of the summit of the Sierra Madre Mountains in Los Angeles, in the manner of American Hudson River School artist, Thomas Moran, (1837-1926).
Thomas Moran (February 12, 1837 – August 25, 1926) from Bolton, England was an American painter and printmaker of the Hudson River School in New York whose work often featured the Rocky Mountains. Moran and his family took residence in New York where he obtained work as an artist. He was a younger brother of the noted marine artist Edward Moran, with whom he shared a studio. A talented illustrator and exquisite colorist, Thomas Moran was hired as an illustrator at Scribner's Monthly. During the late 1860s, he was appointed the chief illustrator for the magazine, a position that helped him launch his career as one of the premier painters of the American landscape, in particular, the American West.
Moran along with Albert Bierstadt, Thomas Hill, and William Keith, are sometimes referred to as belonging to the Rocky Mountain School of landscape painters because of all of the Western landscapes made by this group.
Thomas Moran began his artistic career as a teenage apprentice to the Philadelphia wood-engraving firm Scattergood & Telfer. Moran found the engraving process "tedious" and spent his free time working on his own watercolors. By the mid-1850s he was drawing the firm's illustrations for publication rather than carving them. At that time, he encountered illustrated books that included examples of the work of British artist J. M. W. Turner, who was to be a lasting influence on Moran's work. He also began studying with local painter James Hamilton. Moran traveled to England in 1862, to see Turner's work. From that point on, he emulated Turner's use of color, his choice of landscapes, and was inspired by his explorations in watercolor, a medium for which Turner was particularly well-known. During the 1870s and 1880s, Moran's designs for wood-engraved illustrations appeared in major magazines and gift oriented publications. Although he mastered multiple printing media including wood-engraving, etching, and lithography, which he learned from his brothers, he received renown for his paintings in oil and in watercolor. The height of his career coincided with the popularity of chromolithography, which Moran used to make color prints of his works, so that they could be widely distributed. He was also one of the leaders of the etching revival in the United States and Great Britain.
Moran was married to Scottish born Mary Nimmo Moran (1842–1899), an etcher and landscape painter. The couple had two daughters and a son. His brothers Edward (1829–1901), John (1831–1902) and Peter (1841–1914), as well as his nephews Edward Percy Moran (1862–1935) and Jean Leon Gerome Ferris (1863–1930) were also active as artists. He died in Santa Barbara, California on August 26, 1926.
Thomas Moran, Manner of
(1837-1926)
Hudson River School, Rocky Mountain School
Landscape
Summit of Sierra Madre Mountains, San Gabriel Mountain Range, California
Watercolor on Paper
Estimated at approximately 1890
Painting alone measures approximately 15.5" X 13 1/4"
In frame, painting measures approximately 25" X 21"
Painting is housed in antique American wood frame with gold painted carved wood inlay. There are a couple of pieces missing from the inlay, but frame is in good, stable condition. Painting is behind a new custom tan suede mat.
Painting is in very good condition. There is a couple of very light water marks on the very bottom right corner. Signature is either very small, or difficult to locate, or read. Painting is therefore listed in the manner of American artist, Thomas Moran.
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